Sue Katz: Consenting Adult

Wordsmith and Rebel

My books are available on Amazon here or for an inscribed copy, write to ConsentingAdultPress@hotmail.com. Enjoy all of my low-priced books:

A Raisin in My Cleavage: short & shorter stories

Lillian in Love (a novel)

Lillian's Last Affair and other stories.

I'm available for interviews, readings, visits to book clubs, being the entertainment at your party, talking about senior sex at your senior center, talking about love in senior housing, and any other creative ways to get the word out about my work.

Some of these stories are 5,000 words long, some of them are 100 words exactly. Some protagonists are old and some aren’t.  Several stories feature gay men or lesbians, while several do not. So what unifies this collection? It is the interplay of heart and smart, facing off against the dangers of a viral wedding smooch, a scary staircase, a runaway supermarket cart, a disastrous online date, and a stolen sausage. Of course, you'll also learn about the raisin that falls where it shouldn’t.

Lillian’s life at 84 is tumultuous. She is moving to Manor House to be near Sarah, abandoning the demands of her own home, which has been colonized by her children. How will she and Sarah deal with the reactions of relatives, ex’s, and neighbors to their romance? How do two old women negotiate new love? Will slow-dancing, vibrators, and pot brownies help smooth the way?

 

“If I’m going to go after one more affair of the heart at 84, I’d better get my ass in gear,” says Lillian, speaking for all the characters in these six stories.

Ruby has a run-in with a waterbed and Catherine tokes her first joint in the bathtub with Victor. Elegant Anna’s introduction to kinky sex is bittersweet. And then there’s the neighbor with the strange attachment to the grocery cart. Sue Katz’s hilarious, tender, and impeccably written stories confirm that age fails to erode our eccentricities or dull our ardor.

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New Credenza: It Takes a Village

I am actually decorating my living room – not a thing I’ve ever done before. I’ve always lived as if in a furniture shop, with lovely 2nd hand pieces lining every wall, things I was given or found on the street or bought on the cheap when I needed more stuff in which to stuff more stuff.

First I did a clear-out – what they now call de-cluttering – giving away many of those old pieces, even lovely art deco oak furniture (on left) that I brought with me from England but which have always been too imposing for my tiny apartment. I dispersed all my precious knick-knacks, picked up from places I traveled, or presents from… well, I hardly remember from whom. I even gave away four or five large cartons of books.

I have always lived in clutter and chaos, leading to my practice of going elsewhere to write for weeks at a time. But as I age, and as the airlines have become so dedicated to propagating misery, I’m less enthusiastic about cat-sitting in South London or Las Vegas in order to have a beautiful calm space in which to write my books. Besides, in thinking forward now that I’m in my 70s, there is not a person in the world who wants to be responsible for disposing of my copious possessions: it’s time to get a head start.

My new living room carpeting provided the excuse to do all of this. The carpet is a gorgeous grey that matches my newish little couch. In order to have it installed, I was required to pack up every single thing from every single piece of furniture and pile it all in my bedroom so that the furniture could be easily moved around as the carpet was changed. That made it easier to eliminate the heavy wooden furniture, leaving my possessions in a gazillion cartons. I had help moving those heavy boxes from Barry and Melsen and Bren and Mags over a couple of months. And on the day the carpet was replaced, Barry heroically unplugged every item that works on electricity, marking each wire, and then re-plugged them all afterwards. This was not a job I could have easily pulled off for myself.

For months and months, I have been searching for a long white credenza with simple lines and a lighter, modern look which will provide 80+ inches of storage and be soothing to look at from my desk. But I’ve found nothing to my taste. I enlisted the help of a long-time friend Debi Levine who roams online auction sites. Still nothing. Then my friend Bren, as we sat in front of my computer searching some more, suggested that I try looking for a color instead of white.

And then I finally came across a cabinet, just 48” – but I could easily fit in two – that came in slate blue. After consulting with Bren and Sandy and Jaya and Barry and Judy and Sue O, and after seeing it on multiple sites for twice the price, I ordered two. However, it comes in a box and needs assembled, a task far from my own skill sets, which tend to congregate around words – spoken and written, dance steps, and my refrigerator.

Debi, however, has golden hands. Her mother calls her The Mastermind. She agrees to come and assemble them. I change my schedule so that I will be around on Wednesday for the promised delivery – intending to put up all sorts of signs in the building’s entrance to convince the delivery people to bring them up to my apartment for a hearty tip. But to my distress, the furniture arrives while I’m out at a Dr. appointment on Tuesday. They are propped up against the building’s wall of mail-boxes in the entryway, each cardboard container twice as wide as me and a foot or two taller, each weighing 99 pounds. Other tenants are buzzing my flat in fury at being unable to access their mail. I appeal to my landlady in the office and she rustles up two of her brothers – my landlords – and they somehow carry both of them up.

Debi offers to come on the Wednesday to whip them together – hoping to finish in an over-optimistic 90 minutes. However, it turns out that each cabinet has about a dozen planks of various sizes and a huge cache of hardware. Undaunted, Debi wrestles the slate blue participants into perfect order, crawling around the floor, bending over them when they resist, standing them up, screwing them tight, and lord knows what. My friend Judy comes over to offer moral support to The Mastermind, joins us for lunch, and helps me haul out the debris.

I have a chiropractic appointment I must leave for at 4:45. Debi has been working non-stop since 10:30 am, with a quick break for my tuna salad and cranberry sauce. The doors are the last piece to be assembled and they have, for both cabinets, been the hardest to subdue. The clock is ticking: 4:20. 4:30. And then, at 4:40, The Mastermind shuts those doors smoothly, helps me move the two cabinets side by side, as if they were one, gathers up her enigmatic tools, and we leave together – her exhausted by hours of demanding physical labor and shrewd problem-solving, and me dazzled by the brilliance of her competence and confidence.

It has taken a village but now my living room, for the first time in my life, looks like a grown-up lives in it. Now it is time to write those books that long to come alive.

 

Don’t Get Burned by Niagara Falls

Our road trip took the three of us from Pittsburgh to Niagara Falls in late October, stopping overnight in each direction at Lake Chautauqua. About 50 miles from Niagara, a service station advertised that it provided tourist information for Niagara Falls – and that it was the last stop before Buffalo, NY. Of course we stopped.

As Jaya, Sandy, and I came in the door, the booth was set up so that everyone had to pass it. It featured piles of maps and brochures and leaflets and a jolly guy who was happy to talk to us about Niagara. All three of us love to chatter with strangers and this friendly chap was our match. Eventually he asked about our plans for the Falls and confided that he could secure us tickets for the best tour ever. It would include all parking fees at the various sites, all entrance fees, and a ride to four of the best views – altogether eight attractions. We would have a chance to spend a half hour at each stop, photographing and incredible views. It would take four hours and only cost $108 each.

“What about a senior discount?”

“Included it already,” he smiled.

“We’ll talk to you after we use the bathroom,” I said and off we went. I reminded my friends that there was no way I was going to stand around on my dysfunctional feet for half-hours at a time – and certainly not on such an extremely windy and chilly day. “Sounds like torture, not fun.” So we didn’t grab this bargain.

We got to the Falls and parked for $10. We never had to move the car. We went up to the main observation point and got our first free views of the Falls. Then we went on the exhilarating, amazing “Maid of the Mist” boat ride around the foot of the falls, dressed like everyone else in the pink plastic rain capes (with breast cancer ribbon designs on the back). We had befriended a guy at the info desk and he had given us big plastic bags and rubber bands for our shoes – we were the only ones on the Maid whose feet stayed dry. The wind was insane – so the mist was seriously whipping people around. And that was kinda wonderful. It cost us $20 each.

Afterwards we went on the Trolley (jump on / jump off) provided by the Niagara Falls State Park. It goes to all those eight attractions mentioned by the tour guy who had tried to sell us the tour. But it turned out that several of the attractions were already closed for the season and others were inaccessible due to road works. But the Trolley and its informative driver were fabulous – we got out at the premiere spot for viewing and photographing and then got back on later. The tickets cost $3 each.

So that’s $10 for parking, $60 for three tickets to the boat, $9 for three tickets to the Trolley. In total $79, and it was a full and exhausting day. If we had gone on the painful standing-around tour, it would’ve cost us $324.

How infuriating that this for-profit tour company passes itself off as a “tourist info” spot, even advertising on the highway and being placed immediately as one comes in the door of the last service stop. My feeling was that Niagara Falls is a State Park and therefore looked after us in an affordable and safe way. Don’t get burned – just get to the Park itself, preferably not, as staff told us, on the windiest day of the year.

 

He’s Just 4

It was a beautiful Fall day, so my friend and I got library passes to the Peabody Essex Museum in Salem, MA, where we intended to explore the new extension.

But something was very amiss in the clogged roads and WAZE was struggling to find us a way to keep moving, as is its wont. The closer we got to Salem, the more gridlocked it became. Cars were searching out non-existent parking spaces, and every spare space – from official lots to peoples’ driveways – displayed hand-made signs with a $20 or $30 price – or more commonly a big sign saying FULL.

The streets were impassable with excited crowds. The town was bulging with pumpkins and alive with excitement. Tourist Trolleys promised tours of witches’ sites and costumed guides were squiring families to all the haunted houses. I did not know, because I am not a Halloween kinda girl, that every October weekend in Salem is a massive big deal, not the least the first weekend. There was no approaching the Museum and so we concocted a plan B.

We set off south down the Essex Coastal Scenic Byway along the coast. The weather was glorious, absolutely perfect. We went to several beaches, noting the offensive “Private Beach: Do Not Trespass” signs in the wealthier seaside towns. We discovered the Audubon nature preserve at Marblehead Neck, which was gorgeous. As we drove through Marblehead, we detoured down a narrow road between two bloated mansions, to catch the view of the scenic harbor where the boats were as abundant as the ghost hunters had been in Salem.

Before we got to the end of this little road which was about ½ block long to see the harbor, out popped a little blond boy from behind a mansion vanity wall. He was gesticulating and waving us away, a big scowl on his little pale face.

I stuck my head out of the window. “Are you trying to tell us to get out of here?”

“Yes,” he yelled, all puffed up and full of himself, “This is my grandmother’s house.” He continued to point down the road and shoo us, petulance and privilege swelling his features.

From behind the wall, a woman said to him, “It’s okay.” But he stood his ground.

I said to him, “When you get a chance, look up the word ‘entitled’ in the dictionary.”

And the disembodied voice of the woman responded, “He’s only four!”

My friend said to me, “And she has taught him already.”

I found it spookier than Salem could ever be.

Downton Abbey film review in 50 words exactly

I needed that. Lightweight, witty, ornate – and everyone seems poised to live happily ever after. There’s romance, intrigue, royals, and delicious snark between Violet Crawley (Maggie Smith) and Isobel Merton (Penelope Wilton). Lucy’s entry (Tuppence Middleton) – with kisses for Tom (Allen Leech) – hints of a welcome sequel on the horizon.

 

Raise Hell: The Life & Times Of Molly Ivins - A Review in 100 words

Raise Hell: The Life & Times Of Molly Ivins

A Review in 100 words

Now here’s a documentary to see, indeed. Molly Ivins started her life of raising hell by resisting her rich authoritarian father. ‘I remember my dad and his friends sitting around fixing the price of oil.’ Later she said, “My teenage rebellion lasted 35 years.” Six feet tall and a devoted intellectual, her young years reading in her bedroom well prepared her to be a rebellious journalist who splintered glass ceilings and spoke truth to power. Her hilarious wit – unfortunately fueled by heavy drinking – and the confidence privileged kids inherit, combined to make her a sterling, popular syndicated journalist and author.

 

Just me and Billy Porter hangin’ out...

So here's the story: A generous talented friend took me to see the unmissable, funny, deep, brilliant play "The Purists" which was directed by Billy Porter, presented by Boston's Huntington Theatre Company (same building where my own play appeared this summer) -- and written by Dan McCabe.

She also got me into the after-party where Billy stood in one side room on seriously elevated platform shoes taking pictures. He was standing between two young blond women for some photos. The second they finished I asked him, "Do you take pictures with old dykes too?" He laughed, pulled me to him saying "Get over here, girl" and I snapped the moment.

(I was so star-struck that I forgot to mention Pittsburgh, our mutual hometown, and it never occurred to me that I shoulda brought A Raisin in My Cleavage to give to him.)

100-Word Review: Convenience Store Woman by Sayaka Murata

I loved this contemporary Japanese novella about an oddball woman who prefers to “under-achieve” by working for decades as a clerk in a convenience store. She is pressured from all directions to marry and to make something of herself, but at 36 she recognizes that the convenience store is the place where she functions best. The rest of the world baffles her, but the store speaks to her. She mimics others to try to fit in outside the store. She tries living with a man – it’s awkward. I listened to this enthralling book in the car and found it fascinating.

Is This Karma or Clutter?

After my mother – a mean-spirited woman – died, my friend went through the jewelry she had accumulated throughout her life. Much was tacky mid-century plastic and gaudy Florida flea market stuff, but my friend did identify a few items with a bit of value: a gold chain, gold bracelets, a necklace with a diamond, some diamond earrings.

It was 2009, deep in the Recession, and selling/buying gold was big business. I contacted a gold-buying guy who had a big ad in a brochure featuring varied
Cape Cod businesses. He turned up with a tray, a special light, and one of those lenses (known as a monocular loupe) that screws into one eye and apparently lets jewelry experts see deep into the item. I was one of a bunch of such buying stops he was making that evening. It was his profession over many decades, but business had really picked up because of the Recession, he said with glee. If I recall, he gave me $250 cash for the lot and left. Two days later he called to say that he had screwed up on the assessment of one of the pieces and wanted to return to my house to take back $100. I said no.

After his call, I realized that I did not recollect what I did with the cash. I scoured my apartment but never found it. This loss has stayed in the back of my brain. My mother had treated me like crap all my life. Luckily I’m not superstitious or spiritual – or I might think she was messing with me from her grave.

Fast forward over a decade and I’m in the midst of a de-cluttering blitz. Among some very dusty papers, I found that Cape Cod business brochure. Inside was $350 cash. So it was more than I remembered and it was right where I had laid it over 10 years earlier. Now I have enough money to pay the woman I’ve hired to help me organize this attempt to tame the chaos of my tiny crowded apartment.

Headcase: LGBTQ Writers and Artists on Mental Health and Wellness

Headcase: LGBTQ Writers and Artists on Mental Health and Wellness

Editors: Stephanie Schroeder and Teresa Theophano

I know little about the subject of mental health and would have been unlikely to be aware of this remarkable book if I hadn’t already been familiar with the ground-breaking work of one of the co-editors, Stephanie Schroeder, who produced this anthology with co-editor Teresa Theophano for Oxford University Press.

It is a rare collection in which each piece meets, in its own unique way, an extraordinarily high standard. The first sentence of the Foreword by Kai Cheng Thom draws the reader straight into real life: “I am several months behind deadline on writing this foreword: first, there were the implications of a mental health crisis of my own, then...”

Each contributor has an intimacy with the issues of mental health that has turned them into self-aware experts on their own conditions. And each has something illuminating to say about what the co-editors call “the evolution of queer identity as it interfaces with mental health.” Because the complications of being queer and needing help are so “downright crazymaking,” they say, they have reclaimed the word Headcase – a term as strong as the writing and the fight for health we go on to read about.

Through personal essays, professional approaches, graphic illustrations, photos, and poetry, we gain an insight into their worlds, not the least the inadequacies of the healthcare system and the often extended but life-saving search for the right medicines. Stephanie Schroeder discusses these both in her essay “Crowdsourcing my Antipsychotic” – a tale that gallops along like a fast-paced thriller, as she fights past a nauseating array of obstacles in her attempt to find and to fund the drug that can save her, despite the indifference of Big Pharma. Such difficulties in getting what is necessary turn up in many of the book’s pieces. J. R. Sullivan Voss’s emotional graphic story “Sisyphus (Or: Rocks Fall and Everyone Dies)” takes us into mental hospitals where torturous over-medication is the rule.

This is not a collection of dense academics nor is it dripping with jargon. It is a showcase of talented, gripping work. Eliza Gauger’s six complex “Problem Glyphs” are personalized illustrations called sigils that play the role, she says, of “a sort of occult advice column.” Some pieces are written by lovers, friends, and relatives of those struggling to gain their mental health. In “Erasure,” Gabriella M. Belfiglio briefly but potently narrates the experience of visiting her precious sister in what sounds like a high security mental hospital. She tells us: “Cell by cell, I’ve been watching her die for more than two-thirds of my life.” Juan Antonio Trujillo in a half a page describes his own mental acrobatics as he talks with delicacy to a fragile friend, in “Border / Lines.”

For many of the contributors, gaining control of their mental health leads to valuable achievements. I was transfixed by an amazing story of intertwined feminist and lesbian self-discovery by a mother and daughter in “Not Our Fault” by Chana Wilson. Co-editor Teresa Theophano speaks with full candor in a section called Stories of Survival. She tells us in “The Family Legacy Ends Here” that “surviving trauma has freed me.” Later she writes, “Emerging from those years of darkness has enabled me to participate more fully and with much more confidence in the organizing and community-building work that is my passion – especially now…”

Against my initial expectations, Headcase is an energizing read, full of pain and wit and joy. I have kept it by my bed and dipped in every evening, to learn, to be awed, and to be grateful. I have asked my local public library to order it and I suggest you do the same. I have one warning however – and it is a problem I see in many books put out by University presses. To save on the expense (i.e. number of pages), the font is miniscule and demanded my strongest reading glasses. The rewards, though, are humongous.

Review in 100 words: Toni Morrison: The Pieces I Am

Toni Morrison: The Pieces I Am

Review in exactly 100 words

Combine Toni Morrison’s fascinating life and fulsome talent with an elegant documentarian, Timothy Greenfield-Sanders, and you get that rare film that is both comely and edifying. Add in talking heads who love Morrison – from Angela Davis to Oprah to Walter Mosley to Fran Lebowitz – and you have a wondrous film. The racism and sexism she faced in her eventual journey to the Nobel Prize were countered by the 48 black writers who signed a statement deploring the lack of establishment recognition for her. Greenfield-Sanders showcases not only Morrison’s personal beauty, but also the soothing Hudson River view from her home.

 

Sharing My Dad’s Feet

I had a sweet dad and a dreadful mother. Saul didn’t protect me from her, but he stood up for me in other ways. He drove me to my black boyfriend’s house and then drove us around when Pittsburgh was too segregated for us, at 15 or so, to be open about being together, and he let us kiss in the backseat. Unlike my mother, he accepted my girl lover the next year and my lesbianism the rest of his life. In fact, we used to armchair cruise the passing women when we were hanging out together somewhere public. He was a brilliant dancer and in later years we used to lead the women at the elders’ tea dances side by side.

I used to look just like my dad – I have his beautiful eyes – and I loved that. But as I age, I look more and more like my nasty mother and that freaks me out. I see my hands and arms turning into hers – despite how much I loved my dad’s muscular forearms and veined hands.

For the last year I have been having terrible trouble with my feet and ankles. The result is that I can walk less and less and in fact at this point even a block or two does me in. I can’t stand in one place for more than a couple of minutes, which generally prevents me from attending dance lessons. I’ve seen six medical people, received six diagnoses, and been subjected to six failed treatments. Only one of these people has ever followed up to see how I’m doing after their failures. Combine that with a knee they say needs replacing, but which I can’t replace until a solution to my feet problem works, and you can understand why I am now the owner of two canes and one disability parking placard for my car. I am learning how to stay in the game of my beloved West Coast Swing, by perfecting a way to lead without really dancing, without really moving.

My dad died in 2004 and my mother three years later. I had three days in Pittsburgh to clear out their apartment and I took big garbage bags and emptied their file cabinets into the bags and threw them out. I had a charity come get all the other stuff. I made up two boxes of papers I noticed while dumping the rest that I thought I’d want and I sent those boxes home to Boston, where they have remained unopened.

This week I opened one of the boxes. First, I found a folder of interesting papers from my dad’s service during WWII. Underneath that was a manila envelope full of funeral stuff and obits. And then an astonishing two-page official-looking letter from 1996 turned up. It was from a vascular specialist physician to another physician, apparently my dad’s primary care person. It is titled “Saul Katz” and it describes him as a 78-year-old dancer with mysterious feet and ankle problems (the doctor calls them “interesting symptoms”) that the original doctor couldn’t figure out. The Dr. describes Saul as “overweight, awake, alert, and oriented” – which fits me too.

The vascular specialist did a complicated work-up on my dad but could not figure out the problem. He observes that the pain comes from walking or standing but that Saul, like me, is pretty much without pain while sitting. He writes: “I don’t have a perfect handle on this,” and goes on to make multiple speculations. In the end he says, “I’m sorry that I can’t give a definitive answer.” Nor have any of the six medical people I’ve seen. What a disappointment that medicine does not seem to have progressed around feet since the 90s.

I always thought that my love of dance was a reflection of my dad’s influence – and my commitment to leading exclusively as well. I am freaked that I have inherited this mystery disability as part of the genetic package. I am my father in so many ways, but at least I haven’t gone bald. Yet.

I write this at night, just as Father’s Day is ending.

Review: Legal Tender: Women & The Secret Life of Money by Christian McEwen

I fell in love with this book the first moment I held it in my hand. It’s petite – just 4 1/2” x 6” and has just 142 little pages. It fits into the back pocket of my jeans. And it is filled with the most riveting “confessions” by all sorts of women about money.

I found myself dipping into this pearl of a book, reluctant to finish it. Each woman speaks with the kind of candor that it is rare to hear on this subject. I remember my own mother’s fierce sense of privacy about money – a subject she thought it was rude to bring up. Even when I was applying for college scholarships, she wouldn’t let me see the financial forms she filled in. “It’s none of your business.” My only hint came when my brother, after they had put him through a few college degrees, got his first job. “He pays more in taxes than I make in a year,” my dad said, half with pride, half with resentment.

Money. I was happy to hear other women own up to hiding $5 in every coat pocket, every backpack, every drawer – I do this. I call it my Holocaust syndrome – my “just in case” stash.

Some women talk about how growing up poor impacted their attitude towards money. But remarkably, McEwen even gets people to talk about inherited wealth. Lydia Richardson Pratt, a millionaire from an old money family, complained (boo hoo) that “coming out as lesbian was way easier than coming out as rich.” She brags about how much she adores being affluent.

I liked the bartender who tossed all her change into a big container. “But when I’m really panicky, I’ll sit down and roll my change… You know, I’ve paid my taxes through change I’ve rolled by hand!

A gambler introduces her comments this way: “Most people would rather tell you about blow-jobs they gave to strangers on the highway than talk about money honestly.” She admits that, because of her addiction, “Every day was like torture. I woke up every day and was completely freaked out.”

A freelancer speaks for all of us who write or act or draw or drive for our living: “I think that anyone who works in the freelance world has an inner bag lady who is ready to haunt her.”

Christian McEwen is a writer I have admired since her days in the UK when she was producing very early lesbian anthologies, including Naming the Waves and, with Sue O'Sullivan, Out the Other Side, a book I nearly wore out reading. This little volume Legal Tender from Bauhan Publishing is an utter delight, condensed from 50 interviews, and presented like a gift. Order it here http://www.christianmcewen.com/shop/.

 

Film Review: Amazing Grace: Aretha Franklin

Do you want to take a break? Do you want music that lifts you up, talent that brings tears, and comfort all around.

Go see the movie of Aretha Franklin: Amazing Grace, made in 1972 when she was already a massive star. I fell in love with her brilliant, warm mentor James Cleveland and was moved by his Southern California Community Choir. Most of all, I was transfixed by Aretha Franklin's transcendent voice, which is a crucial part of the soundtrack of my life – and that of several generations.

The film was shot during the making of "Amazing Grace, which was both Aretha’s biggest selling album and – to this day – the best-selling live gospel album ever. Sydney Pollack, who was directing for Warner Brothers, made a terrible technical error, which left the audio out of sync. Producer Alan Elliott devoted decades to saving the film, but faced a lot of resistance, including from Aretha herself. A new technical fix and Aretha’s death allowed him to bring it to us now.

It is raw and real and sweaty and full of bloopers, such as the film crew stepping in front of the camera by accident or turning up behind Aretha messing with wires. Interesting guests dot the audience – from her father (oddly invited last minute) to Mick Jagger, hanging out in the back of the room. The vast majority of the audience is members of a Los Angeles Baptist church where they filmed over two nights.

It's simply wonderful. “Don’t bother with tissues. Bring a towel,” said The New York Times.

A Two-Stop Day-Trip from Boston: Wachusett Dam & Reservoir plus Tower Hill Botanic Garden

With so little to celebrate in this world, a warm Spring day is sufficient motivation to turn off the news, leave the computer, put down the protest banner, and go see the explosion of greens, as the flora awakens around us.

We head to Clinton, Massachusetts (less than an hour from Boston) for the Wachusett Dam, constructed between 1897 to 1905, and still the largest stone dam built by hand. It creates the magnificent Wachusett Reservoir, which supplies part of Boston’s needs. At nearly 7 square miles, it is the second largest body of water in Massachusetts. For those willing to descend a gazillion steps, one can tour the very base of the dam where the landscaping includes a handsome water fountain. But I found it plenty gorgeous from atop the dam as well.

From there it was a quick 5-mile drive to the Tower Hill Botanic Garden. Our state park pass got us in without paying the $11 senior entrance fee. Founded in 1986, the gorgeous visitor center is surrounded on all sides by assorted gardens, all of which thrive in New England’s variable weather – the Garden is only closed in January. Among the one dozen gardens are the Systematic Garden, Winter Garden, Cottage Garden, and Vegetable Garden. On this visit, the plethora of tulips – white and ruby – were a highlight of our visit.We were lucky to visit during the enthralling, mesmerizing exhibition of large stainless steel wind sculptures scattered throughout. Titled “Wind, Waves & Light: Art in Motion,” they are the work of George Sherwood, an engineer/artist who lives in Ipswich, Massachusetts. A 40-second video clip of the work is below.

The Tower Hill Botanic Garden center has a cool garden shop, a café (already closed when we arrived), impressive event rooms (where, for example, UMass Medical School holds its graduation), a library, and clean bathrooms. Tours are offered. Best of all, there are benches all over the place for relaxing amidst the different plants.

One of the charms of this one-day trip is that it can be as accessible, physically non-challenging as you want, while people with kids and energy can run up and down the steps of the Dam and to the furthest reaches of the 171 acres of Tower Hill. 

 

An Interview with author Stephanie Schroeder, co-editor of Headcase: LGBTQ Writers & Artists on Mental Health and Wellness

Stephanie Schroeder – writer and peer advocate – and her co-editor Teresa Theophano – writer and social worker – have brought together 38 important pieces of writing on the topic of LGBTQ mental health today in their anthology Headcase: LGBTQ Writers & Artists on Mental Health and Wellness. Stephanie is known for her hard-hitting socially-aware journalism and one other book, her moving memoir.

The enthusiastic reception of Headcase is reflected in its reviews where comments call it “ground-breaking,” “poignant,” “terrific and essential,” and “a diverse democracy of voices.” I spoke to Stephanie Schroeder about the process of putting together such a pioneering work.

 

Question: How did you and your co-editor meet and decide to work together on this project?

Stephanie Schroeder: When Teresa read my memoir Beautiful Wreck: Sex, Lies & Suicide, it resonated with her. She had originated the idea of Headcase and then reached out to me. We hadn’t met before. We’ve been working on Headcase since 2014 and it has been a dream collaboration. We agreed on everything, from the vision to the submission guidelines to the final choices out of hundreds of submissions.

 

Question: Now that the book is out and you have just finished a national book tour, are you still friends?

Stephanie Schroeder (on left in black shirt): Yes! Not only have we stayed friends, we also plan to co-write another book focusing on LGBTQ suicide.

 

Question: How did you decide what to include in Headcase?

Stephanie Schroeder: We chose selections on the strength of their writing and content. We ensured a broad demographic around age, race & ethnicity, sexual orientation & gender identity, socio-economic status, geography, and diverse viewpoints. Some are grounded in an anti-psychiatry position while others are from a more conventional treatment viewpoint. We included essays, poetry, fiction, visual artwork, and a 13-panel comic written by a young transperson who documented their days in the hospital for mental health issues.

 

Question: Why is this anthology necessary?

Stephanie Schroeder: Because LGBTQ peers and consumers of mental health services are under-represented in the literature. Most books are written by professionals for professionals or clinicians for clinicians. We believe that LGBTQ peers are experts about our own care. And in fact nothing like this book has ever existed before. It is truly a vanguard work in the field of mental health literature.

 

To learn more, check out the Headcase anthology online and on Facebook:

www.headcaseanthology.com

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