Even though my legs are still injured from the ebike assault I suffered a few days ago (see previous blog), there was no way I was going to miss the Vancouver Pride West Coast Swing dance which the organizer, Dalynne Roberts (at left), had invited me to weeks ago. We have been Facebook friends for some time and were looking forward to meeting in real time when it turned out that my vacation overlapped with her event.
The studio belongs to well-known professionals Tessa Cunningham Munroe (at left below) and Myles Munroe. I’ve met these champions pre-Covid at Summer Hummer, a weekend dance event that used to be organized by my former teachers.
I arrived at their gorgeous air-conditioned studio (although it involved a difficult staircase to the second floor) in time to see the end of the special Pride workshop for beginners. What a crowd! The many dozen students totally jammed the beautiful studio with its sprung wooden floor as Dalynne and Tessa taught basic figures.
When social dancing began, I popped a couple of acetaminophens, put my cane aside, and started to dance. There were many contrasts with my home dance base in Boston, but three things stuck out:
1. Myles was the evening’s DJ and he played real swing music – every song had an actual beat.
2. Not a single other dancer questioned why/how/if I was a leader.
3. And finally, and most amazingly, the upper-level dancers danced with everyone. No one seemed to sit out a single dance. It was astonishing to watch the seamless integration of beginners, intermediates, and high-ranking dancers, the mix and match, the enjoyment the better dancers got from encouraging the newbies. Almost all the top dancers asked me to dance. Likewise, many beginners, even people after their first lesson, asked me to dance.
West Coast Swing gives a lot of lip service to the principle of mixed level dancing, but I see very little of it in practice. I have danced in the same room for years without a single dance with those (mostly young) dancers who are coming up the competitive ranks. They don’t even say hello to me, unless they’re at the door taking money, let alone consider dancing with me. Some have even turned down repeated invitations. It’s not personal – although yes, I’m an elder dyke – because every other non-competing but committed dancer I know tells the same story. The exceptions are young, beautiful newcomers – often welcomed warmly by their hetero advanced counterparts. These ambitious dancers colonize the front of the dance floor and dance exclusively with each other. Three-quarters of the floor is left to us plebeians – an area these top dancers never deign to traverse or visit.
Another Boston venue has instituted a fresh, new tradition in which some advanced dancers volunteer to spend the first period of the social dance asking newbies to dance. Alli Reese deserves congratulations for attempting to change the culture and foster cross-level introductions. But many of the advanced dancers have a corner of that space where they congregate all night to emphasize their exclusivity.
Congratulations to Tessa, Myles, and Dalynne for creating such a democratic dance culture, for living up to the principle of cross-level dancing, and for having such a grand Pride dance just when I am visiting Vancouver for the first time! As I have seen throughout my time here, people are simply nice. Especially to strangers.
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